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LAByrinth Theater Company Press Release


Press Contact for LAByrinth Theater Company Adrian Bryan-Brown / Juliana Hannett / Matt Ross: 212-575-3030 jhannett@bbbway.com / mross@bbbway.com

Press Contact for The Public Theater: Arlene Kriv:  press@publictheater.org
 

FULL CASTING ANNOUNCED FOR

SCHOOL OF THE AMERICAS

By José Rivera
Directed by Mark Wing-Davey

Featuring
Karina Arroyave, Raúl Castillo, Nathan LeBron,
John Ortiz, Felix Solis and Patricia Velasquez

JUNE 20 – JULY 23

A CO-PRODUCTION OF LABYRINTH THEATER COMPANY
AND THE PUBLIC THEATER

LAByrinth Theater Company (Co-Artistic Directors Philip Seymour Hoffman and John Ortiz and Executive Director Steve Asher) and The Public Theater (Artistic Director Oskar Eustis and Executive Director Mara Manus) are pleased to announce that casting is complete for the world premiere of José Rivera’s play School of the Americas. The cast includes Karina Arroyave, Raul Castillo, Nathan LeBron, John Ortiz, Felix Solis and Patricia Velasquez. They will be directed by the previously announced Mark Wing-Davey. The limited-run production will begin performances June 20th with an official opening of July 6th. The final performance is July 23rd.  A co-production between LAByrinth Theater Company and The Public Theater, School of the Americas is a new play from the Academy Award®-nominated author of The Motorcycle Diaries.

In the Bolivian jungle, Che Guevara is captured and held in a one-room schoolhouse.  For two days, no one – not the Bolivian President nor the U.S. State Department—is able to decide his fate. The young schoolteacher of the village insists that she be given permission to speak to the famous revolutionary. Her conversations with Che—based on historical fact—are the heart of School of the Americas

OBIE Award winner and LAByrinth Co-Artistic Director John Ortiz will portray Che Guevara.  The young schoolteacher, Julia Cortes, will be played by Patricia Velasquez, who is making her professional U.S. stage debut.  Karina Arroyave plays Lucila Cortes and Felix Solis assumes the role of Felix Rodriguez.  Cast as the two guards are Raul Castillo and Nathan LeBron.

José Rivera’s plays have been translated into seven languages and seen at New York’s Public Theater (Marisol), South Coast Rep (References to Salvador Dali Make Me Hot), the Mark Taper Forum (The Street of the Sun), Playwrights Horizons (Cloud Tectonics), Manhattan Class Company (Sueno), The Ensemble Studio Theatre (The House of Ramon Iglesia, The Promise, and Slaughter in the Lake), Circle Rep Theatre (Each Day Dies with Sleep), Hartford Stage Company (Marisol), the Goodman Theatre (Cloud Tectonics), INTAR (Giants Have Us in Their Books), the La Jolla Playhouse (Adoration of the Old Woman and Maricela de la Luz Lights the World), Berkeley Rep (Cloud Tectonics), the Greenway Court Theatre (Sonnets for an Old Century), and the Lee Strasberg Theatre (Brainpeople), among others.  Honors include Obie Awards in Playwriting for Marisol and References to Salvador Dali Make Me Hot as well as a Fulbright Arts Fellowship, a Rockefeller Grant, a Berilla Kerr Award, and a Whiting Foundation Writing Award.  Mr. Rivera’s first produced screenplay, for The Motorcycle Diaries, directed by Walter Salles, produced by Robert Redford, and featuring Gael García Bernal, earned him an Academy Award® nomination In October 2005, LAByrinth produced a developmental production of his play Massacre (Sing to Your Children) to open the current season.  Mr. Rivera serves on the boards of the Independent Feature Project and the Sundance Institute, and is a member of LAByrinth Theater Company.

British director, actor and teacher Mark Wing-Davey first came to prominence in the US with his internationally award-winning production of Caryl Churchill’s Mad Forest, for which he won an OBIE Award.  His Public Theater credits include 36 Views by Naomi Iizuka (2002 Lucille Lortel Award nomination); The Skriker by Caryl Churchill (Drama Desk Award nomination) and Silence, Cunning, Exile by Stuart Greenman; as well as Henry V and Troilus and Cressida for Shakespeare in the Park.  His other credits include The Love Song of J. Robert Oppenheimer by Carson Kreitzer (Cincinnati Playhouse in the Park); Small Tragedy by Craig Lucas (Playwrights Horizons); The Lights by Howard Korder (Lincoln Center – Drama Desk nomination); Angels in America by Tony Kushner (ACT – Bay Area Critics Circle Award); and Light Shining in Buckinghamshire by Caryl Churchill (Royal National Theatre).  Mark Wing-Davey has been Artistic Director of London’s Central School of Speech and Drama, visiting professor in NYU’s Graduate Acting Program and Chief Executive of The Actors Centre in London.

LAByrinth Theater’s Co-Artistic Director, John Ortiz was born and raised in Brooklyn, New York.  On stage, he most recently played the role of ‘Jesus’ in the world premiere of The Last Days of Judas Iscariot by Stephen Adly Guirgis, a co-production between LAByrinth Theater Company and The Public Theater.  In 2004 he appeared as ‘José Solo’ in LAByrinth’s production of Guinea Pig Solo by Brett C. Leonard.  Other LAByrinth Theater credits include Jesus Hopped the ‘A’ Train by Stephen Adly Guirgis in London and New York (Drama Desk nomination, Drama League Award), Where’s My Money?  written and directed by John Patrick Shanley, Moonlight Mile by Stephen Adly Guirgis, Roughhouse by Lilian Ann Slugocki and Dreaming in Tongues by the LAByrinth Ensemble. In 2003, Mr. Ortiz made his Broadway debut in Nilo Cruz’ Pulitzer-Prize winning play Anna in the Tropics. Additional theater credits include The Rose Tattoo directed by Kate Whoriskey at the Goodman Theatre in Chicago, and three world premiere plays by José Rivera: The Adoration of the Old Woman at La Jolla Playhouse, Sueño at MCC Theater and The Street of the Sun at Mark Taper Forum.  He was also featured in two New York premieres of Rivera’s plays: References to Salvador Dalí Make Me Hot at the Public Theater (OBIE Award) and Cloud Tectonics at Playwrights Horizons. He was featured as a series regular on television in Clubhouse, The Job and Lush Life.  His film credits include Narc, Before Night Falls, Amistad, Carlito’s Way, Side Streets, Ransom, 3 AM, Riot, Sgt. Bilko, The Opportunists, Take the Lead, and the forthcoming Miami Vice, El Cantante and Pride and Glory

Patricia Velasquez was born in Maracaibo, Venezuela where she studied theater, dance, engineering and business administration while growing up.  Her early career as a model in the United States led to her first film role opposite Jean Reno in Le Jaguar.  Most recognized for her role as ‘Anck Su Namun’ in the films The Mummy and The Mummy Returns, Ms. Velasquez has also starred in Zapata, Mindhunters, Fidel, Committed, No Vacancy, Eruption, and San Bernardo.  On television, she has also appeared in CSI: Miami, 12 Days of Christmas (MOW), Arrested Development, Rescue Me, Ed, and American Family.  Ms. Velasquez is an UNESCO Artist for Peace, and an active charity worker; she recently established The Wayuu Taya Foundation which is dedicated to improving the living conditions of Latin American indigenous groups while respecting their cultures.  Her speeches to young Hispanic audiences during her time as a spokesperson for Cover Girl inspired the organization to create a college scholarship in her name.  Ms. Velasquez’ appearance in School of the Americas is her professional stage debut in the US.

An ensemble of more than ninety multicultural and multidisciplinary theatre artists led by co-Artistic Directors Philip Seymour Hoffman and John Ortiz, LAByrinth Theater Company has produced 42 new American plays over the last fourteen years. As LAByrinth continues residency at The Public for a third season, School of The Americas marks the third collaboration between the two theaters to develop new work—following Guinea Pig Solo (2004), and The Last Days of Judas Iscariot (2005). For more information on LAByrinth Theater Company, visit www.labtheater.org

Founded by Joseph Papp as the Shakespeare Workshop and now one of the nation’s preeminent cultural institutions, The Public is an American theater in which all the country’s voices, rhythms, and cultures converge. Under the leadership of Artistic Director Oskar Eustis and Executive Director Mara Manus, The Public's mandate to create a theater for all New Yorkers continues to this day on stage and through its extensive outreach and education programs. Over 250,000 people annually attend Public Theater-related events at its six downtown stages including Joe's Pub, and at Shakespeare in the Park. www.publictheater.org

Additional cast member biographical information and photos are available upon request.

 

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